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UP3D Price – RETURN 2017 : Kommer Kleijn

It is a member of UP3D and also a former member of our board of directors, Kommer Kleijn SBC, who was awarded the UP3D / AIS best price for its European stereograph 20 years dedication to S3D as stereograph, searcher, promoteur et enseignant de la S3D.

La récompense lui à été remise par Sylvain Grain, président d'UP3D, lors de la soirée Gala Stéréopsia (anciennement 3D Stéréo Média) qui s'est tenue ce 13 décembre 2017 au palais des beaux-arts de Bruxelles.

Kommer a tenu à remercier les réalisateurs et producteurs ayant amenés tous ces projets fous et ambitieux qui ont permis de faire avancer notre médium, et il a également remercié les membres des équipes qui l'ont soutenu pendant ces 2 décennies. Il a ensuite exprimé son espoir que la généralisation des connaissances et expériences S3D, et la venue de nouvelles techniques de présentation comme le laser et les écrans émissifs permettront dans le futur à la 3D de prendre sa vraie place dans l'industrie audiovisuelle.

Avec cette récompense, c'est un acteur historique de la 3D qui est récompensé et un membre d'influent de notre association.

Kommer Kleijn SBC, member and former member of the board of UP3D, has been bestowed with the 2017 "LUMIERE AWARD - EUROPE", Best European Stereography given out by the Advanced Imaging Society(Formerly known as the 'International 3D Society') USA, 'Stereopsia' (Formerly 3D Stereo Media), UP3Dand BARCO, a lifetime achievement award for his 20 years of dedication to S3D as a stereographer, researcher, promoter and educator for S3D.

He received the award during the Awards Gala Dinner at 'Stereopsia', in the BOZAR palace in Brussels, Belgium, from the hands of Sylvain Grain, president of UP3D, the 'United Professionals of Stereoscopic 3D'.

Kommer wished to thank the directors and producers he worked with and who created and supported the crazy and innovative projects that brought the medium a little forward and he also thanked the team members that supported him during these past two decades. He then expressed his hope that global advance in experience with stereography among creative and film makers and new presentation technologies like laser and emissive screens may in future give stereo 3D the right place in the audiovisual industry.